Cherly Susanti
  • Blog

    19th Fukushima Vocal Ensemble Competition 2026

    Early in 2025, me and Katya decided to ask two friends of ours, Chichi 李駿琪 and Felix 游博能 if they are interested and singing together with us. They agreed, and on 17 January 2025, we made a LINE group named “Sing4Fun” as our main goal is to have fun. We later made an instagram account, thinking we probably want to be a little bit more serious, and later changed our group name to Tala Vocal Ensemble.

    We recorded some videos of us singing some classical choral pieces. Later on, I got a crazy idea to join a competition, and thinking we might need to recruit another bass. I asked Felix if there’s a chance Ken 許啟群, a friend of ours (me and Katya met him in APYC 2019 while he and Felix already known each other for a long time), and he said we can try. Alas, Ken agreed! Now a group of five, we found some songs, rehearsed for several times, and then send our recordings to the committee of the 19th Fukushima Vocal Ensemble Competition 2026 as a part of preliminary registration process. With nothing to lose, we were really surprised that we got accepted! Long story short, on March 2026, we finally really made it to Fukushima as the only overseas group!

    Fukushima was our very first stage, our very first competition. We were so honored to be awarded with:

    • Gold Diploma
    • One of the Finalists for the Grand Championship
    • Special jury award: Avip Priatna Award
    Photo by Seiya Hayakawa

    A bunch of happiness and love, a wonderful beginning, and hopefully a long-lasting friendship. Thank you for giving me the chance to sing with you all on our very first stage, our very first competition; and thank you, dear friends, for premiering my work at the Grand Championship! Also I am so happy to meet old and new friends, Masae and EnsembleM Nagano! Thank you so much for being such a wonderful and supportive friend.

    Thank you Kak Avip for your tremendous support and your profound belief in our music. Your words have touched us deeply and inspired us to keep growing not only to become better musicians, but, as you so beautifully reminded us, to become better human beings.

    Thank you Kentaro Sato for writing such a beautiful song, 「前へ」 Mae-e, so that people like us may share its beautiful message with everyone. We are so honoured to have been able to sing this on the stage of Fukushima, and it truly moved me, I had to hold back my tears the whole time we were singing. I knew the song was written to commemorate the earthquake disaster in Japan in 2011, but only after we finished singing did I realise that it was also the very same disaster that struck Fukushima which made the song even more meaningful. Now it has a special place in my heart.

    Looking forward to many more songs to sing with Tala!

    希望我們可以一起唱歌,每天無論開心還是難過,還是能夠一步一步往前走。

    Anyway, we’re ‘upgrading’ to a group of six now! Very happy to have my best friend, Danivu 莊小以 joining us for our future performances. Yeay! Danivu is a wonderful musician I know from Taipei Chamber Singers, and I believe her presence in Tala will help us to grow even better.

  • Blog

    Ibu Pertiwi

    Recent news from my homeland was absolutely devastating and heartbreaking for me. Keep on singing this tune for a while, and decided to make an arrangement out of it to cope with my sadness.

    Free to download and use, I don’t care about the copyright or whatsoever, just use it if you want.

  • Choral,  Secular

    Petitih for SATB div. voices a capella

    Performed in Best Student Choir Festival 2024 by Gita Swara Gunsa Jakarta, SMAK 3 PENABUR Roeddy Kosim, conductor.

    Please send email to shop@cherlydai.com to purchase the score.

    Lyrics:

    Dengar kata pepatah

    Petuah dari sang leluhur untuk kita:

    Ada asap, ada api

    Apa yang kau buat

    Itu yang kau dapat

    Ada sebab ada akibatnya

    Gajah mati meninggalkan gadingnya,

    harimau mati meninggalkan belangnya,

    manusia mati meninggalkan namanya.

    Ada asap, ada api!

  • Blog

    The 18th Taiwan Outstanding Women in Science Awarding Ceremony 第18屆「台灣傑出女科學家獎」

    Taipei Chamber Singers was invited to perform in the 18th Taiwan Outstanding Women in Science Awarding Ceremony 第18屆「台灣傑出女科學家獎」 and it was a wonderful experience to see the outstanding awardees and their wonderful projects. We did another one last year, performing a medley of Mo Li Hua and Diu Diu Dang A 茉莉花/丟丟銅仔, which I arranged for SSAATBarB specially for this event. Sadly, it was not recorded, so there has to be another next time to perform the piece.

    This year, the organizer requested us to sing not in a mixed ensemble format but all female, and this year I was again privileged to perform and arrange another medley of Yue Qin and Mei Gui Mei Gui Wo Ai Ni 月琴/玫瑰玫瑰我愛你, and this time it was recorded! I do hope we will have another chance to perform this piece, it was so much fun!

  • Choral,  Sacred

    Mass of Light for double choir a capella

    The Mass of Light is a parody mass based on my previous work, Cahaya Purnama (“Moonlight”, 2017). The themes borrowed from Cahaya Purnama occur in every movement yet with various tonality and rhythm, written in double choir motet, inspired by Rheinberger’s Mass in E flat major op. 109, Cantus missae (1878). While this mass setting is written for double mixed choir, Credo became the only song where both choirs are unified, representing the unified parishioners proclaiming their faith.
    Adapting the Roman Catholic church tradition since the Medieval towards the Renaissance period, there are parts written imitating the Gregorian chant, while other parts are written in antiphonal style, a style that is also used by Bach in writing his double choir motets. Beside the early music style, this setting is also written in carefully-selected keys, referring to the Baroque’s Doctrine of Affection; where music should be affecting the feeling of the listener, thus each key was said to have a characteristic—each song’s opening tonality sets the mood of the whole song, while the closing tonality express the final mood. The music is also enriched by a rich layer of groovy rhythm, something I always include in my music as a Southeast Asian composer.
    After all, this mass setting is a prayer of hope, and I personally celebrate my faith to God through this mass setting.